Export is a time-saving feature for saving masters to different file- formats, sample-rates, and bit-rates. The other two additions to both versions of Ozone 7 are export formats and the IRC IV algorithm in Maximizer. This reduces the chances of always preferring the louder version, even when it might not be an improvement. Added in an earlier version of Ozone, this function allows you to compare post-processed sound against the pre- processed source - with the listening levels matched. Worth mentioning is the equal-level audition feature, which is represented by the "ear" button. Using Vintage Limiter results in a subtle change to transients (in comparison to Maximizer), and the change is easier to hear by bypassing the module once you've started using it (as opposed to when you first instantiate it). In use, I didn't like it as much as Maximizer for mastering, but enjoyed it on instrument tracks and mix bus. Although inspired by the Fairchild 670, the plug-in departs from the original, providing more tweaking powers. Both a faster and a slower setting provide responses not always available in real-world tube gear. Vintage Limiter pulls the "tube" mode found in earlier versions of Maximizer and gives it its own module.
The standard version of Ozone 7 includes three new functions, while the Advanced version has seven.
Ozone 7 is a sizable update to the already feature-rich Ozone mastering suite of plug-ins.
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